{"id":137,"date":"2011-09-18T04:41:50","date_gmt":"2011-09-18T04:41:50","guid":{"rendered":"http:\/\/digital.music.cornell.edu\/cage\/?p=137"},"modified":"2012-10-02T14:44:44","modified_gmt":"2012-10-02T14:44:44","slug":"tim-feeney","status":"publish","type":"post","link":"http:\/\/digital.music.cornell.edu\/cage\/tim-feeney\/","title":{"rendered":"Tim Feeney &#8211; Percussion; friction"},"content":{"rendered":"<p><strong>Tim Feeney<\/strong> seeks to explore and examine the timbral possibilities inherent\u00a0in everyday found and built objects. He treats his percussion setup as a\u00a0friction instrument, using bows, scrapers, and rosined drumheads to capture\u00a0and amplify frequencies that go unheard when an object is struck with a\u00a0traditional mallet. He supplements this acoustic console with an electronic\u00a0instrument, arranged from mixers, contact microphones, and effects pedals,\u00a0that synthesizes and alters the spectral characteristics of low-fidelity tones, feedback, and noise.<\/p>\n<p>Tim works within Boston&#8217;s timbral improvising community, a group of\u00a0musicians interested in unstable sounds and silences, exploring austere combinations of sound and the otherworldly ripple effects that pulse through a silent space and alert ears. He has performed with musicians including thereminist James Coleman, cellist\/electronic musician Vic Rawlings, tape-deck manipulator Howard Stelzer, trumpeter Nate Wooley, sound artists Jed Speare and Ernst Karel, saxophonist Jack Wright, and the trio ONDA. His concerts have been held at experimental spaces such as the Red Room in Baltimore, Boston&#8217;s Institute of Contemporary Art, Firehouse 12 in New Haven, Connecticut, the Knitting Factory New York, and the Stone, as well as the Center for New Music and Audio Technology at UC-Berkeley, the Stanford Art Museum, Princeton University, and Dartmouth College.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tim Feeney seeks to explore and examine the timbral possibilities inherent in everyday found and built objects. He treats his percussion setup as a friction instrument, using bows, scrapers, and rosined drumheads to capture and amplify frequencies that go unheard when an object is struck with a traditional mallet. He supplements this acoustic console with an electronic instrument, arranged from mixers, contact microphones, and effects pedals, that synthesizes and alters the spectral characteristics of low-fidelity tones, feedback, and noise.<\/p>\n","protected":false},"author":4,"featured_media":193,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-former-members"],"_links":{"self":[{"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/posts\/137"}],"collection":[{"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":20,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/posts\/137\/revisions"}],"predecessor-version":[{"id":854,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/posts\/137\/revisions\/854"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/media\/193"}],"wp:attachment":[{"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/media?parent=137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/categories?post=137"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/digital.music.cornell.edu\/cage\/wp-json\/wp\/v2\/tags?post=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}