 < sflib/chinaperc BianZhong soundfiles:
 < there are some pronounced timbral differences between adjacent soundfiles
 < to use the alternate hard attack {.h} soundfiles, remove comment symbols
* f1 0 524288 -1 "/sflib/chinaperc/bianz.ds3.wav" 0 0 0 ; < dur = 11.5
* f2 0 1048576 -1 "/sflib/chinaperc/bianz.g3.wav" 0 0 0 ; < dur = 15.1
* f3 0 524288 -1 "/sflib/chinaperc/bianz.b3.wav" 0 0 0 ; < dur = 11.5
* f4 0 524288 -1 "/sflib/chinaperc/bianz.ds4.wav" 0 0 0 ; < dur = 11.6
* f5 0 524288 -1 "/sflib/chinaperc/bianz.g4.wav" 0 0 0 ; < dur = 11
* f6 0 524288 -1 "/sflib/chinaperc/bianz.cs5.wav" 0 0 0 ; < dur = 7.94
  < * f6 0 262144 -1 "/sflib/chinaperc/bianz.cs5.h.wav" 0 0 0 ; < dur = 3.69
* f7 0 262144 -1 "/sflib/chinaperc/bianz.g5.wav" 0 0 0 ; < dur = 5.88
 < * f7 0 524288 -1 "/sflib/chinaperc/bianz.g5.h.wav" 0 0 0 ; < dur = 7.3
* f8 0 262144 -1 "/sflib/chinaperc/bianz.cs6.wav" 0 0 0 ; < dur = 3.08
* f9 0 262144 -1 "/sflib/chinaperc/bianz.e6.wav" 0 0 0 ; < dur = 4.15
 < * f9 0 262144 -1 "/sflib/chinaperc/bianz.e6.h.wav" 0 0 0 ; < dur = 4.6
* f10 0 262144 -1 "/sflib/chinaperc/bianz.g6.wav" 0 0 0 ; < dur = 3.85
< * f10 0 262144 -1 "/sflib/chinaperc/bianz.g6.h.wav" 0 0 0 ; < dur = 3.89
* f11 0 262144 -1 "/sflib/chinaperc/bianz.as6.wav" 0 0 0 ; < dur = 3.64
 <* f11 0 262144 -1 "/sflib/chinaperc/bianz.as6.h.wav" 0 0 0 ; < dur = 5.48
* f12 0 262144 -1 "/sflib/chinaperc/bianz.c7.wav" 0 0 0 ; < dur = 4.24
 < * f12 0 262144 -1 "/sflib/chinaperc/bianz.c7.h.wav" 0 0 0 ; < dur = 3.15
* f13 0 262144 -1 "/sflib/chinaperc/bianz.d7.wav" 0 0 0 ; < dur = 3.9
 < * f13 0 262144 -1 "/sflib/chinaperc/bianz.d7.h.wav" 0 0 0 ; < dur = 3.92
    <; f99 = soundfile function numbers & keymap split points
*f99 0 128 -17 0 1 53 2 57 3 63 4 65 5 70 6 76 7 82 8 87 9 89 10 93 11
  95 12 97 13 ;
    < f98 = midi note numbers for base key { soundfile at original pitch}
*f98 0 32 -2 0 51 55 59 63 67 73 79 85 88 91 94 96 98  ;
 
