// ECMC example sms3 : illustrates FreqSineStretch for detuning and 
// results of PhaseAlign  set to 1 and to 0
// Soundfile /sflib/x/sms3 includes 10 transformations of a violin pizzicato,
// at time intervals of 1.5 seconds, but only the first of these 10 tones was
// synthesized by means of this parameter file. Tones 2 through 10 were created
// by ECMC SMS example  synthesis parameter files sms3-2 through 3-10, with the
// Mix parameter set to 1 and BeginEventTimes set to 1.5 (sms3-2), 3.0 (sms3-3) etc.
// The only reason for mixing these 10 synthesis jobs into a single soundfile
// is so that we can compare the results of the settings below while playing
// a single soundfile, rather than requiring that we play 10- soundfiles i nsuccession
// In all 10 tones the duration of the pizzicato tone is doubled (TimeStretch 2)
// but not during the attack (NoUnvoicedTimeStretching 1)
// The FreqSineStretch and PhaseAlign parameter settings for the 10 tones are:
// Tone  BeginEventTime   Parameter file   FreqSineStretch  Phase Align
//  1      0               sms3              -.15             1
//  2      1.5             sms3-2            -.15             0
//  3      3.0             sms3-3            -.55             1
//  4      4.5             sms3-4            -.55             0
//  5      6.0             sms3-5             .22             1
//  6      7.5             sms3-6             .22             0
//  7      9.0             sms3-7            1.18             1
//  8      10.5            sms3-8            1.18             0
//  9      12.0            sms3-9            2.5              1
//  10     13.5            sms3-10           2.5              0
InputSmsFile /sflib/anal/sms/vln.p.b3.sms 
OutputSoundFile sms3.wav
SamplingRate 44100
Type 3
TimeStretch 2
        NoUnvoicedTimeStretching 1
PhaseAlign 1
Amp .9
FreqSineStretch -.15
