# all uncommented parameter values shown as ?? must be changed to a float value
##### [1] GENERAL parameters and EARLY & LATE REFLECTION parameters #####
tempo 60;
skip 0 ;
# disable early reflections; # uncomment to disable EARLY REFLECTIONS
early reflection time 0.25;   # default .25, normal range .25 - .75
early reflection minimum gain 0.005;

# disable late reflections  # uncomment to disable LATE REFLECTIONS
   # late reflection time default: calculated from room dimensions
#late reflection time ?? ;          # Normal range: .75 - 3.0
late reflection gain 1;            # > 1.0 = wetter, < 1.0 = drier
late reflection echo density 1.0;   # > 1.0 = wetter, < 1.0 = drier
late reflection frequency density 1.0;   # > 1.0 = wetter, < 1.0 = drier
# Low pass filter cutoff frequency : by default calculated from room dimensions
# late reflection cutoff ?? ; # in hertz, normally between 1000 & 2000
# ===================================================================
##### [2]  ROOM DIMENSIONS & REFECTIVITY parameters  #####
distance unit metre;    # metre (sic), yard or foot
room {
dimensions     -??, ??  ,     -?? , ?? ,        -?? , ??
#             -rear, front,   -right,  left ,    -down,  up
# Set the reflectivity of each of the 6 walls above: Ranges 0 - 1.0:
reflections     0.6,  0.6,   0.6, 0.6,      0.5, 0.6;
}
# ===================================================================
##### [3] RECORDING devices (mics) : each "recording" produces an output soundfile #####
  # A recording device consists of: (1) a soundfile name (whose extension specifies
  # the output format); (2) a mic device, which determines mono or
  # stereo WAVE or 1st or 2nd order ambisonic output; (3) mic location; 
  # (4) for cardiod mics, mic direction; (5) optional core radius
 # mic device:       resulting output soundfile format:   filename extension:
 # ambisonic          1st order B format 4 channel ambisonic   .wxyz
 # second order ambisonic  2nd order 9 channel ambisonic       .fmh
 # cardiod                     mono WAVE                       .wav
 # cardiod pair                stereo WAVE                     .wav
 # figure-of-eight             mono WAVE                       .wav
 # omindirectional             mono WAVE                       .wav
 # You MUST uncomment and edit all of the parameters for at least one "mic device"
 # below to create one or more output soundfiles
 # Mic locations are often in the center of the room <0,0,0> but can be placed
 # anywhere within the room
# ---------------------
# (1) 1st order B-format 4 channel ambisonic file: Playable only after decoded.
# recording ???.wxyz  {
#  device ambisonic;
#  location <0, 0, 0>;
#  gain 1.0 ;
#  core radius 1;
# }
# -------------------------------------------------
# (2) Second-order ambisonic 9 channel ambisonic file. Playable only after decoded.
# recording ???.fmh {
# device second order ambisonic;
# location <0, 0, 0>;
# gain 1.0 ;
# core radius 1;
# }
# -------------------------------------------------
# (3) Coincident stereo pair for stereo WAVE output soundfile
  # Direction vectors specify where the cardiod pair mics are pointing:
  # Recommended:  direction <1, 1, 0>, <1, -1, 0>;
# recording ???.wav {
# device cardioid pair;
# location <0, 0, 0>, <0, 0, 0>;
# direction <1, 1, 0>, <1, -1, 0>;
# gain 1.0 ;
# core radius 1;
# }
# -------------------------------------------------
# (4) An omnidirectional or cardiod pair mic near rear of the hall to isolate & test
# reverberant qualities.

# recording ???.wav {  # use EITHER omnidirectional (mono) or else cardioid pair (stereo)
# device omnidirectional;
# location <??, ??, ??>;   # use for omnidirectional

# device cardioid pair;
# location <??, ??, ??>, <??, ??, ??>;  #  use for cardiod pair
# direction <0, 1, 0>, <0, -1, 0>;  #  use for cardiod pair
# gain 1;
# }
# -------------------------------------------------
# ===================================================================
##### [4] TRACK parameters (MIX and MOTION) #####
track {    #  Track 1:
  mix     {   # include one or more soundfile inputs (full path) for this track below:

}
  motion  {  # include fixed, line or arc locations for this track below:

        }
}
# -------------------------------------------------
# track {    #  Track 2
#   mix     {   # include one or more soundfile inputs (full path) for this track below:
# 
# }
#   motion  {  # include fixed, line or arc locations for this track below:
# 
#         }
# }
# -------------------------------------------------
# track {    #  Track 3
#   mix     {   # include one or more soundfile inputs (full path) for this track below:
# 
# }
#   motion  {  # include fixed, line or arc locations for this track below:
# 
#         }
# }

