For my piece, I tried to take some sounds, turn them into something 'else', and bring them back to something familiar.  Chowning does this seamlessly throughout "Stria".

I used a combination of presets that I edited as well as my own subtractor settings.  With four subtractors, I turned a palm-muted bass into a banjo, a vibraphone into something 'else' and back into a vibraphone.  Beneath this, I layered two other tracks, both of which traverse the timbral spectrumas the piece progresses.