class
Performance 2
thought the projects presented with the vocoder were interesting so I wanted to create a pd patch that could act as a vocoder in real time with a guitar or keyboard with additional effects that I have yet to come up with. I also play a lot of bass and violin so I could help out with anyone who would want to work with those instruments. I eventually want to work on modulating tones, applying effects, and mapping these things to controls on an electric guitar i.e. pickups, knobs etc while utilizing a pd patch obviously. Thanks to anyone who responds.
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Documentation for [expr]
General docs for PD are here and there are several other resources here.
- cemc's blog
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PD patch sound result
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Pd Version Madness
For compatibility with the latest version of JackOSX on Intel Macs we have our own build (thanks to Nick Knouf) available here, of version 0.40.3-extended, which hopefully will also run on 10.5; let us know. Experimental builds of 0.4x-extended for PowerPC, Windows, and various Linux distributions can be found here.
One note, if you have a version of 0.39-extended already and you try one of these 0.4x-extended versions, you may have trouble getting the externals to load. Let me know, I can show you how to fix it, but it's too complicated to type out here.
DW
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Reserve Studio Time
I seem to be unable to reserve a studio time. My password is messed up. At this point this is the only way i can reserve time. It looks like studio b is open from 8-10 pm on monday. Just so it is in writing, I am claiming that time.
Thanks,
Avi
Scrambled Hacks
I did some more searching online and I was able to find the youtube video of the cool music database project.
Enjoy
Music 659 Students
Also, a few details from today. The Turkish composer I mentioned who was active with Davidovsky and others at the Columbia-Princeton studios was Bülent Arel (I said merely "B-A"). He is perhaps best known for having worked with Varèse on Deserts. It is worth noting other composers who were active at Columbia-Princeton during the 60's and 70's; this is not a complete compilation by any means but shows how central these studios were for early electronic music.
Jon Appleton, Charles Dodge, Edgard Varèse, Vladamir Ussachevsky, Otto Luening, Milton Babbitt, Wendy Carlos, Harvey Sollberger, Charles Wuorinen, Bülent Arel, Mario Davidovsky, Luciano Berio, and Jacob Druckman
I also mentioned the first concert at the Center, one in particular with Davidovsky's first piece (it was his first study, not the third as I incorrectly said).
Ussachevsky’s Creation-Prologue
Arel’s Stereo Electronic Music No. 1
Halim El-Dabh’s Leila and the Poet
Milton Babbitt’s Composition for Synthesizer
Mario Davidovsky’s Electronic Study # 1
Otto Luening’s Gargoyles for Violin Solo and Synthesized Sound
Charles Wuorinen’s Symphonia Sacra
A more thorough overview of the Center's development and details of what equipment and means were available during this time can be found here:
The Columbia-Princeton Electronic Music Center (links for PDF)
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Concert Order
FIrst Half |
Second Half |
| Kevin Kinsella: The Story | Maurice Chammah: In Preparation |
| Bahram Atefi: Cancion Di Argentina/Black Orpheus | Khaliq Gant: Confident |
| David Kiferbaum: Meter Maid | Ryan Malec: There is a Wolf |
| Avi Aisenberg: Just the Tip | Yaowei Yeo: Video Game Music (Sonic) |
| Ke Liu: Evolution | Petko Nikolov: Acid |
| Ricardo Arribas: Untitled | Alix Dorfman: Outside In |
| Michael Tedesco: A Day in the College Life | Griffin Dorman and Bobby Miller: Top Gear Remix |
| Karen Lin and Joanne Kong: You Remind Me of Him | David Markowitz: Untitled |
| Sara Martinez: 4 Corner Sound Sandwich | Nick Principe: The Shallows |
| Ethan Russell: Ease my mind | Navid Farnia: Southern Roots |
| Kristen Gaudion: Streetbeat | Dan Goldstein: Accio Hip Hop |
| Jehhal Liu: Five | Karel Sedlacek: Untitled |
| Heesung Yun: Chronology | Alex Lee: Minor Distractions |
| Keisuke Irie: Yoru | Greg Weisbrod: Working Title |
| David Waks, Aakash Choksi, and Alex Kresovich: Drankin' Stories + Cigiface | Dana Lipperman: Breathe Me |