Semester Schedule, Fall 2022

PART I: Digital Audio 

Week 1 — August 23rd and 25th

    • Introduction and creating a narrative.

Week 2: August 30th and September 1st

    • An abbreviated history of recording 1850-2022

Week 3 — September 6th and 8th

    • John Cage, contact microphones, recording as performance and then some

Week 4 — September 13th and 15th

    • Listening outside the audible spectrum

Week 5 — September 20th and 22nd

    • Recording and the Avant-Garde

Week 6 — September 27th and 29th

    • Multitrack Recording, Mixing and Mastering

PART II: Synthesizers, Samplers, and Sequencing

Week 7 — October 4th and 6th

    • Analog Synthesis

Week 8— October 11th and 13th

    • Sequencing, Control and Performance

Week 9 — October 18th and 20th

    • Digital Synthesis and MIDI

Week 10 — October 25th and 27th

    • Bringing it all together (Ableton and otherwise)

Week 11 —November 2nd and 4th

    • Interactivity: Max/MSP and other languages

PART III: Composition and Live Performance

Week 12 — November 8th and 10th

    • Live Coding and Intelligent Instruments

Week 13 — November 15th and 17th

    • Deconstructing the Box: Interface, Physical Computing and Microcontrollers

Week 14 — November 22nd

    • Navigating the Industry, also Thanksgiving

Week 15 — November 29th and December 1st

    • Samples, Production, Inspiration and Other Loose Ends

Final Concert: Sound Art Forum, December 6th, 3pm, Lincoln Hall B20

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