PART I: Digital Audio
Week 1 — August 23rd and 25th
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- Introduction
Week 2: August 30th and September 1st
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- Recording techniques and digital audio
Week 3 — September 6th and 8th
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- Signal processing and sound manipulation
Week 4 — September 13th and 15th
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- Listening outside the audible spectrum
Week 5 — September 20th and 22nd
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- Recording and the Avant-Garde
Week 6 — September 27th and 29th
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- Multitrack Recording, Mixing and Mastering
PART II: Synthesizers, Samplers, and Sequencing
Week 7 — October 4th and 6th
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- Analog Synthesis
Week 8— October 11th and 13th
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- Sequencing, Control and Performance
Week 9 — October 18th and 20th
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- Digital Synthesis and MIDI
Week 10 — October 25th and 27th
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- Bringing it all together (Ableton and otherwise)
Week 11 —November 2nd and 4th
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- Interactivity: Max/MSP and other languages
PART III: Composition and Live Performance
Week 12 — November 8th and 10th
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- Live Coding and Intelligent Instruments
Week 13 — November 15th and 17th
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- Deconstructing the Box: Interface, Physical Computing and Microcontrollers
Week 14 — November 22nd
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- Navigating the Industry, Thanksgiving
Week 15 — November 29th and December 1st
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- Samples, Production, Inspiration and Other Loose Ends
Final Concert: Sound Art Forum, December 6th, 3pm, Lincoln Hall B20