Syllabus

Music 1421: Introduction to Computer Music, Fall 2016

Instructor:
Kevin Ernste, Associate Professor
Email: kevinernste AT cornell.edu
Office: B27 and 337 Lincoln Hall

Teaching Assistants:
Can Bilir, cb698 AT cornell.edu — Morning section, 10:10
Corey Keating ck624 AT cornell.edu — Afternoon section, 2:55

Course website: http://digital.music.cornell.edu
– please visit the website and register a username

Music 1421 is an exploration of classical and state-of-the-art techniques for making music with computers . As such, a substantial portion of our time will be spent working with software directly, although “learning software” is not our explicit goal. Our primary focus will be making and understanding music, facilitated by Tuesday lecture/discussions and Thursday practicums.

In developing techniques for recording, manipulating, and mixing sounds, we will be working with several software metaphors: the sound file editor, the digital audio workstation (DAW), the synthesizer, the sequencer, the audio patchbay/mixer and the graphical programming environment, among others, developing a personalized creative toolkit. In addition to commercially available software, students will be introduced to a number of excellent free software tools, many with unique designs and functionality.

Course requirements include three composition projects, one for each of the three parts of the course (see the semester schedule). The last of these will be presented at the Sound Art Forum concert at the semester’s end. In addition, weekly or bi-weekly assignments to be carried out on the student’s own time. Studios are available for this purpose and students may sign up for individual time slots (no more than 2 hours per day and 6 hours per week). Visit the course website and follow the “Studios” link to sign up online.

Grading for the semester is broken down as follows:

10% Attendance and class participation
30% Weekly/bi-weekly assignments
30% Two mid-semester projects (15% each)
30% Final project and performance (see semester schedule)

All work must be turned in on time. Late work will be given one letter grade lower; beyond one week it will not be accepted. The final performance is mandatory and non-participation will result in automatic failure (participation and final project grade percentages lost).

Facilities: Studios B25B, B25C, and B25D in Lincoln Hall will be our primary studios with additional “overflow” workstations in the Cox Music Library teaching lab. You are highly encouraged, of course, to use your own home or mobile systems where appropriate and available.

For more details, visit the Semester Schedule.

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