Monthly Archives: April 2014

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Project 2

Here is my submission for Project 2:

I made it in Live with only MIDI, just like my first project.  Originally I had planned on using Reason to make my instruments and playing them in Live, but I had more success finding the instruments I was looking for in Live than I did making them myself in Reason.  I didn’t really like how my Project 1 came out, so this time around I focused on getting more layers of sound to add to what I already had rather than looking for ways to extend the melody.  I used the vertical mode extensively; it was a big help.  My biggest regret was that I should have lowered the volume on one of the tracks.

Project 2

https://soundcloud.com/jeffrey-wai/djfy-do-we-yiruma-remix

Please feel free to comment! (Attempting to beatbox while being sick definitely made me a little offbeat at times…). In addition, I’m looking for potential partners for the final project, please message me if you’re interested (I mainly beatbox and play the piano by ear). Thanks again!

Another trap project

 

I didn’t get to present this, but I would like feedback, so let me know what you think

DIY Synthesizer Workshop

Graduate student Taylan Cihan, along with Professors Kevin Ernste and Trevor Pinch and in conjunction with the Tompkins County History Center’s celebration of Ithaca’s rich history with the Moog Synthesizer (Switched-On: The Birth of the Moog Synthesizer) presented a series of hands-on synthesizer building workshops.

The most recent workshop, given on on Saturday, April 12th, 2014, from 2:00 – 5:00 p.m, was open to all ages and skills. Participants left with a working synthesizer. The events were sponsored by Ithaca Underground and with support of Cornell Electroacoustic Music Center and Department of Science and Technology Studies.

DIYsynthWorkshop

Polyphonic 4093 NAND Synth (build project from 4/12 workshop)

Step-by-step instructions for breadboarding a polyphonic 4093 NAND synth with built-in amplifier and several modifications. This is a simple and fun project for those who would want to get their hands dirty with analog electronics for the first time or have very little experience. Having said that, it is possible to get highly interesting sonic results with the suggested modifications that appear mid-way through. This is a set of instructions that I have used in a public workshop that took place at the Tompkins History Centeron April 12 as a part of their ongoing exhibition, Switched-On: The Birth of the Moog Synthesizer

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