https://www.youtube.com/watch?v=lgVlvOV-SQ8
Yo whaddup this is MC Cynthia in the hizzy
Music has always been a big part of my life, besides the fact that I’m constantly on the prowl on Spotify and YouTube, I also create some loops on my own time, sometimes with lyrics. So if you need a female vocalist, feel free to ask me.
I used to play a bit of piano and oboe so I have a bit of a classical background. Although most of my audio producing experience has been from editing my podcast that I did last year as an independent study and from last semester in 1421.
This year, I hope to get a little crazy and just do weird stuff. I’m really into Wintergatan’s Marble Machine and the thought of creating something even on one-tenth of the scale of that thing would be incredible.
Concert’s recording
Will the recording of the concert be available to us to see? I would like to see it again!
Fried Rice Survey (for final presentation)
https://goo.gl/forms/eOcoUKOzf3rXgd6i2
Concert Order
Please see below for a concert order. We will try to keep the concert moving by have all three stations (studio laptops 1 and 2 or your own computer) filled with performers at all times, one performing and the others preparing.
If you are not, for any reason, not listed here or must adjust your time on the concert (think roughly an hour per section), let me know ASAP. I have tried to accommodate all desired times, alternate studio and personal computers, and provide variety in the performance. I’m excited for the performance.
INTERMISSION 2: Sawyer Neely
NAME | COMPUTER |
---|---|
Michael Downey | Laptop 1 |
Glenna Zhang and Swetha Thiagarajan | Laptop 2 |
Rajiv Moturu | Own Computer |
Steven Romero | Laptop 1 |
Agnes Shin | Laptop 2 |
Benjamin Kang | Own Computer |
George Wyand | Laptop 1 |
INTERMISSION 1: Joel Hoover, game | |
Joel Hoover (performance/showcase) | Own Computer |
Ezra Pak-Harvey, Tyler Tracy, Justin Adelson, Adam Lefkowitz | Laptop 1 |
Cagla Sokullu | Laptop 2 |
Chris Worden | Own Computer |
Brady Kellum | Laptop 1 |
Anna Bores | Laptop 2 |
Huy Le | Own Computer |
Benjamin Kang | Own Computer and Laptop1 |
INTERMISSION 2: Sawyer Neely | |
Arthur Wang, Caleb Zhu, Randy Tung | Laptop 1 |
Matthew Gharrity | Laptop 2 |
David Burgstahler | Own Computer |
Cynthia He | Laptop 1 |
Dean Olin | Laptop 2 |
Chris Oh | Own Computer |
Patrick Mosquera | Laptop 1 |
Edward Fang | Laptop 2 |
Project 2
Hello everyone,
I’m going to use my project 2 as starting material for the final project, but I didn’t share it in class, so I thought I’d share it here. It has a lot of room for improvement, so all feedback (negative and positive) is welcome!
Interconnectivity and network controllers
Below are several examples of the methods discussed in today’s lecture.
1. Ableton Live and Rewire:
https://help.ableton.com/hc/en-us/articles/209774305-Using-Live-and-ReWire
2. MIDI loopback devices and the OSX IAC bus with Live:
https://help.ableton.com/hc/en-us/articles/209774225-Using-virtual-MIDI-buses-in-Live
– On Windows there is MIDI Yoke, part of MIDI OX
3. Soundflower audio loopback:
- Download: https://github.com/mattingalls/Soundflower (code), and https://github.com/mattingalls/Soundflower/releases/tag/2.0b2 (installer)
- Information: https://soundflower.en.softonic.com/mac#app-softonic-review
4. Open Sound Control
- Information (technical): http://opensoundcontrol.org/introduction-osc
- TouchOSC Editor information and download
PD patch examples from class:
- Simple OSC example osc_simple-dumpOSC.pd
- Wiimote resonance filter example: wiimote.pd
- FaceOSC face tracking software download.
- FaceSynth (my own PD patch for parsing FaceOSC: FaceSynth
- Reactivision / reactable information
Studio Access
Hey everyone, does anyone know how to access the studio without an ID? Currently locked out… thanks
Useful texts for your projects
Hello 1421 People,
These links have quick and useful information about reverb and compression in the mixing process. You might find tips that may help you in your first project. Enjoy!
1. Compression Made Easy: Demystifying Compressor Controls & Parameters
4. Dynamic range & the loudness war