To install PD(-extended) on your Mac, PC, or Linux system please visit:
Download the installer appropriate to your operating system and architecture (I don’t recommend the “Alpha” release for prime-time usage. If you are curious about recent developments in the interface (significant) and function of PD or interested in participating in development, you are welcome to download that also).
For some Mac users, you may need to install “X11”, the venerable Unix graphics system on which some of PD’s functionality rests. You can download that, available now as “XQuartz” from here.
Here, too, is mPD, a mobile version for Android, for those interested:
In addition to PD’s built-in Help system, please see the following sites for more help and shared patches.
– PD Forum and Patch Repo – Repository for patches, tutorials, and discussion related to PD.
– PD FLOSS Manuals – including concepts, working patches, and installation/setup help
– Programming Electronic Music in PD (“loadbang”) – Johannes Kreidler’s book
A few questions have been coming up repeatedly, so I wanted to post a few notes here that might help you get back to work quicker:
1) STUDIO B PASSWORD– Studios C and D are set up so that when the computer restarts, it will automatically log you back in. For whatever reason, Studio B’s computer has decided to do its own thing. If you find yourself locked out of the Studio B computer, the password is written on the whiteboard behind the monitor. You should be logging into studio user, not guest.
2) SOUND QUALITY ISSUES– Another frequent concert has been with sound quality (specifically, with stuttering and static). The first thing to check is where your files were opened from. When you start working, you should copy all of your files from the network (or from any other flash drive, etc. you might be using) to the Studio computer’s drive or desktop. Just make sure to copy all of your work back to the network when you’re done! If you’re working directly from the network or a flash drive, this is going to slow things down.
If this doesn’t solve your problem, the program or computer might just need to be rebooted. As a reminder, these programs require a lot of computing power, and the computers have been in almost constant use the last few days. So, please, please, please, shut any programs you’ve opened when you’re done. If there is not someone waiting at the door to take over when you finish, please shut everything down. David and I have walked into the rooms multiple times to find that everything has been left on overnight- this shouldn’t be happening. If everyone’s a little bit more conscientious, it’ll help give the equipment some time to cool down and prevent further problems.
3) I can’t figure out what’s wrong and I’m wasting my much-needed studio time- If you can’t figure out the problem, and can’t get in touch with Professor Ernste, David, or myself quickly, please remember: the library lab is available for you to use during library hours! The same goes for if you run out of reserved studio time and want to keep working.
Hope this helps!
Recording audio directly into Ableton Live’s DAW is simple, requiring only an audio track and the specification of the input channel. This recording method has advantages over an editor, such as Audacity, in that it allows the selection of arbitrary input channels and easily facilitates the layered synchronization of new material onto old.
1) Create an audio track in Live
2) In the new track’s input/output section, select the audio input channel you wish to record from.
3) Arm the record for this new track (WARNING: if the input is a microphone, make sure the speakers are turned down, monitoring only through headphones).
4) Arm the master record (circle, top-level “transport” control) and hit “play” (triangle)
1) Using the cable supplied in each studio (1/8″ to split 1/4″, red and white), connect your laptop output to the front “Hi-Z 1 and 2” inputs on the Apogee Ensemble (top-most silver device under the computer).
2) In either Audacity or Live, set monitoring to “On” or arm record for channels 1 & 2 — in Audacity, 1& 2 are the default; in Live you must specify the track input, as shown here:
Tutorial on “Recording Audio” (as needed): https://www.ableton.com/en/articles/recording-audio/
3 (May be needed)) Open the “Apogee Maestro” software (in /Applications if not shown as a purple “A” icon in the Macintosh dock). In the software’s “Input” tab, under channels 1 & 2 (left-most channels), set the input from “Mic” to either “Inst” (instrument) or “+4”, depending on what is listed.
- If you do this, please do set it back to “Mic” when you are finished as this might confuse others using the studio after you.
Below is a brief video tutorial for editing and saving with Audacity. These basic steps will help you in completing the early assignments in this Music 1421.
Editing and Saving Audio Files with Audacity
1. Click anywhere on the Desktop
2. Visit the “Go” menu, “Connect to Server…”
3. The dialog box that opens will already contain the correct IP address (ends in …245), just click “Connect”.
4. Choose the user “Guest”.
5. You will see two disk “mounts”: Music_1421 (our Assignments and Project drive) and Temporary_files (to relay data). Please mount both and use each as you need.
The Network Drive mount points will then appear on the Desktop.
To sign up for a studio time on the course website, log in with the username you created. Then:
1. Go to “Studios” and click on “Sign up for studio times —>”
2. Choose a studio to sign up for from the drop-down menu.
Note that at the top of this signup page, you will also see a list of your current bookings, if any. Here you can cancel times that you no longer need, important as a courtesy to you colleagues.
3. Click on a desired time slot and confirm it. The schedule defaults to showing the current week and the following week, but you can navigate to future calendars as you like.
Reason (and Record) software is authorized on CEMC systems via a network licensing scheme. When you start Reason for the first time during your session, you will see a window, as below, asking you to authorize your use of Reason/Record.
Choose “Run with Multi License”.
Once open, I recommend using the CEMC Default template for new projects. Choose “File–>New from Template–>CEMC Default.”