I’m sitting in my room late at night and hear the constant thrum of my little desk fan. Its little whirring fills the whole room, which usually helps me sleep, but it never manages to mask the sounds of neighbors talking through the walls. I’m fairly sure it’s a male voice, and it’s somewhere above me. The words are completely indistinguishable, and they have an echoey quality to them, as if they’re coming from some far off place. Suddenly, there’s a slight rumbling as a drawer slides out of a dresser; I can’t pinpoint where it’s coming from, since it’s just as disembodied as the voice, which at this point seems to constantly change position. At one moment, I can hear it most clearly from my left ear, and the next moment, my right. There’s a slight thud of something being placed on the floor somewhere (presumably above me still), and the voice falls silent.
1421 Final Concert!
Abby Kanders | studio 1 | |
Nate McDonald | own | |
Paul Casavant | studio 2 | |
Sam Marks | studio 1 | |
Aidan Hobler | own | |
James Peabody | studio 2 | |
Zachary Bellido | own | |
Cameron Cannara | own | |
… BREAK … | ||
Curtis Raymond III | studio 1 | |
Rose Zhou | own | |
Alex Peng | studio 2 | |
Yumi Romano | own | |
Gregory Perez | studio 1 | |
Frank Zhang | own | |
Maya Behl | studio 2 | |
Boyang Ding | own | |
… BREAK … | ||
Eitan Wolf and Robby Huang | own | |
Benjamin Cooke | studio 2 | |
Sam Faulkner | own | |
shanyah mitchell | studio 1 | |
Helen Wang | own | |
Nathaniel Watson | studio 2 | |
Luis Enriquez, Faris Aziz | own | |
Sunwook Kim | studio 1 |
Sound check times, December 9th 2021
Sound check times are listed below. If you cannot make your time slot, please let us know ASAP.
9:45 | Nate McDonald |
10:00 | Luis Enriquez and Faris Aziz |
10:20 | Sam Faulkner |
10:30 | Paul Casavant |
10:40 | Eitan Wolf and Robby Huang |
11:00 | Aidan Hobler |
11:10 | Maya Behl |
11:20 | Benjamin Cooke |
11:30 | James Peabody |
11:40 | Abby Kanders |
11:50 | Cameron Cannara |
12:00 | BREAK |
12:10 | Shanyah Mitchell |
12:20 | Frank Zhang |
12:30 | Break |
12:40 | Curtis Raymond III |
12:50 | Xulian Romano |
1:00 | Boyang Ding |
1:10 | Sunwook Kim |
1:20 | Sam Marks |
1:30 | Gregory Perez |
1:40 | Alex Peng |
1:50 | Sunwook Kim |
2:00 | Zachary Bellido |
2:10 | Rose Zhou |
2:20 | Nathaniel Watson |
Sounds of Blade Runner
Since it came up in our sections on Thursday, here is a page on re-creating/synthesizing the sounds of the original film Blade Runner (score, performance, and production by http://elsew.com/) on various hardware and software synths. I invite you to try your hand with Ableton Operator!
Delay materials
Attached are the materials from class today for building a delay patch using PD, including:
1. A patch collecting and explaining all objects needed for your own patch
2. A working “classical” feedback/multi-tap delay, just as an example. Note the use of “wireless” send/receive between the graphical objects at the top and the working “guts” of the patch below.
The Max for Live object we spoke about, by analog, is the “Tapped delay” found in “Max for Live –> Max for Live Effects” in the Ableton left sidebar where all of the other effects are.
A series of initial tutorials for using Max for Live can be found here.
See Episode #3 for building simple delay, very similar to the one we made together today.
Arduino lab materials
https://drive.google.com/file/d/1Xbr9VlNUYcX7wbOUBtlD4S8vTY7kclsq/view?usp=sharing
Repetition and Live looping
Erik Satie’s “Vexations” for piano (video is nearly 12 hours):
Robert Fripp’s “Frippertronics” setup using two tape machines developed and used by him and Brian Eno on No Pussyfooting:
Terry Riley on his own origins in using live looping:
Terry Riley’s In C: please read the following page, which includes the interactive GUI’s I used in Lecture today:
Terry Riley’s “In C”: A Journey Through a Musical Possibility Space
Original recording from 1968:
Africa Express’s In C Mali:
In Bb, an online project following onto In C:
Steve Reich’s “Come Out”:
Pauline Oliveros’s “Bye Bye Butterfly”:
Brian Eno’s Music for Airports:
And to remind you that repetition, even literal and continuous repetition of the same materials, is nothing new … this famous aria from Henry Purcell’s 1689 Dido and Aeneas, the piece “Dido’s Lament”, uses a repeating ground bass (passacaglia), here to create as sense of growing intensity.
Eitan’s Project 1
Hey everyone!
I wanted to post my Project 1 from the Intro to Computer Music course, and I hope you enjoy it. I wanted to try and make some type of LoFi hip-hop song, using repeated loops and chord progressions, but it kind of picked up and is probably higher energy than a typical chill LoFi hip-hop song.
Anyway, like I said, please enjoy and do me the honor or leaving some feedback! I love hearing other people’s work. 🙂
Eitan Wolf
Project 1
1421-Project 1-LNM35-Hockey Warmup Project
This was my attempt at resembling a warmup in a hockey arena. I made a mix of MIDI tracks. Very repetitive, with minimal distractions. I like to just have repetitive beats playing as I warmup. I added a recording of a live hockey arena in the background to make it seem like this was recorded during a hockey game. There is some panning of the hockey noises from side to side to resemble play going up and down the ice. I used this assignment to play around with a lot of the ableton effects. Advice on mixing or any other overall critiques is welcome!
Project 1
I was trying to limit myself in only using the MIDI instruments and create a cliche pop song. Ends up much more difficult than I thought and I kind of regret not adding any voice or audio in it to make it less boring. Please give me comments/critique/suggestions! Thanks~